Maren karlson12/28/2023 ![]() ġ Zambrano, María Claros del bosque (Barcelona: Seix Barral, 1977) p. The brighting light, discordant, appears over a sky, ‘discontinuous, a clearing itself too’3. A place of encounter where to shed our skin, remodel the emptiness, listening, a space for a collective reborn. The clearing in the forest is an offering, a recovery. Maren Karlson is a drawer and painter that lives and works in Los Angeles and Berlin.' More » What people are saying - Write a review We havent found any reviews in the usual places. ![]() We cross the verge and we mutate bodies, circulating across a space of adoration and pause, daydream and emptiness, where shadows, games, failed plans, cover us presenting the listening of those voices from the substratum. A frame for a ritual, traces of light and shadow, whispers crossing our feet. Disseminated rituals across new ways of doing, spaces for propositions evading a limitant reason.Ī scenario for healing without even knowing how long that moment may last. We would not know how we enter, neither remember the exist, if a clearing in the forest invites us to access its original feeling.Ī space of prophecies, latent and denied knowledges shrinking away from binarity. Unerring spaces lighting a path, sloped on occasions. ![]() Upholded images appear, recalling encountered lifes, breezes, blindings or reliques from a dream. ‘It is the immediate lesson of the clearances in the forest: you don’t have to look for them, neither look for anything from them’2, they will offer themselves to you. June 25SeptemMaren Karlson uses Simone Weil’s concept of the void as a guiding principle for her exhibition Cyphers at Soft Opening, particularly the late French philosopher’s suggestion that Grace fills empty spaces but it can only enter where there is a void to receive it, and it is grace itself which makes this void. The access reveals itself as accidental, frontal, at night or during the day, it is a surprise, a futurity. Maren Karlson at Soft Opening, Artforum Critics Pick, August 2022 Interview with Frank Bowling, Artforum As Told To, June 2022 Fausto Melotti at Hauser &. It is a productive center, but also the start of an exit a space for conspiration and whisper, where defenseless ghosts, elucubrations of futures and hidden memories navigate. We cross a verge towards a desire, a dream, a vision, a place for communion and reunion. ‘The clearing in the forest is a center where it is not always possible to enter’1. The group exhibition ‘Claro del Bosque’ includes works by Josefina Anjou (SE), Nora Aurrekoetxea (ESP), Lucía Bayón (ESP), Isabella Benshimol (VE), Julia Crehueras (ESP), Diego Delas (ESP), Johanna Odersky (CH), Andrés Izquierdo (ESP), Maren Karlson (DE) and Paul Maheke (FR), exploring the spaces, symbols poetics and rituals involved in the process of the occult, the collective and their healing and empowering force. Intersticio is pleased to present ‘Claro el Bosque’ the inaugural exhibition of the new space In Madrid at Calle Alcántara 31, a year after the opening of our space in London.
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